Learn more about range of Arts of North-East and East India, South India and west India
Traditional Arts of Northern India –
The Guide to Indian Tourism definitely makes you understand the Traditional Arts of Northern India. This is a unique feature of India. The Traditional Arts practiced in Northern India. is practiced through the ages. Understandably various forms of Arts are practised here. The spectacular Handicrafts work, wooden carvings, designer jewellery are the Parts of traditional Arts. More importantly the Artistic Furniture works is also made in this Region. More importantly, the Embroidery works on shawls, Sarris, Benarsi Silk Sarris, carpets etc. is also carried out. The Traditional Arts practiced in Northern India is very rich. It has surpassing class.
Understandably The wooden handicrafts and carvings are also one of the Best traditional Arts practiced in Northern India. The wooden Carved Natraja ( Dancing Shiva, a Hindu deity) is prominent example. Most Importantly, Undoubtedly these prominent Traditional Arts practiced in Northern India are still practiced in regions of Bihar, Rajasthan and uttar Pradesh.
Traditional Arts of Northern India. – Regions of Practice
Embroidery and Handicrafts works practiced in Kashmir is awesome. The works on Pashmina Shawl has its glory since the Past.These yield export currency to India. Most importantly its one of the most prominent Traditional Arts practiced in Northern India.
The Jewelry designing works of Jaipur is admired in the world. The wooden handicrafts works and the marble in-lay works are also done in Jaipur and nearby Areas.
Jodhpur also has variety of Traditional Arts practices. These are basically wooden furniture works and Carvings. Designing on Carpets in Badhoi and other Areas of Uttar Pradesh is done.
The Benares Sarris have embroidery works on the silk. This is a very prominent examples of rich Traditional Arts practiced in Northern India.
Arts of Northern India.– From the Pages of Indian History-
The record of religious painting in North India is even more washed-out than the tally of temple architecture. Henceforth the Indian painting of the first millennium AD barely survives anywhere due to the drastic changes in the climate. In fact because of the less of attitude shown to conserve them from the contemporary rulers, also. Moreover the loots of the Muslim invaders and the Mughal rule may also be the cause of the elimination of the Ancient Indian Paintings.
However the frescoes on the walls of Ajanta, ellora or elephant caves are self- explanatory Facts to prove the existence of Art im India. The fascinating Sculptures in the caves of Ajanta and Ellora are the treasures of the Indian History of Traditional Art . The one of its kind practiced in Ancient India. Similarly their are many similar examples to illustrate the presence of the Traditional Art in India. These are yet again evident examples of Traditional Arts practiced in Northern India.
Painting on wood and cloth- A substantial example of Traditional Art of Northern India. The journey of substantial painting on wood and above all on cloth is the peculiar Art practiced in this region. Benares, Jodhpur , shahranpur and Jaipur are some of the Places where you can find them. However these are found in other Areas of the sub continent, also. Some fragmentary notion of this north Indian painting tradition can be seen from the paintings recovered by Sir Aurel Stein from Central Asia.
Paintings – A Traditional form of Art- From the Pages of Indian History –
In fact the paintings in southern edges of Central Asia (for instance in Ladakh) religious paintings survive to give some idea of northern Indian styles. They are, however, invariably Buddhist in subject matter.
Examples of Hindu painting are evident in north India until the late sixteenth century. More importantly its illustration is drawn from . the period of Mughal emperor Akbar. The greatest Indian epics, the Mahabharata and the Ramayana, were translated into Persian on his order. These manuscripts were illustrated in the court ateliers. Examples can be seen in the British Library (Razmnama [the Mahabharata]) and the Metropolitan Museum in New York (Harivamsa).
The most remarkable example, however, is of the Ramayana, now in the Man Singh Museum in Jaipur. In these manuscripts the paintings are full of brilliant colour and compositional expertise. More prominent Examples include items such as the paintings made for the Nagapanchami festival from the Medieval History.
Paintings- In its Varied Form- In accordance with the Topography-
The lack of princely powers in the Gangetic plain meant that in these recent centuries, there has not been a central powerful system of patronage for the development of a north Indian and Hindu painting school. In this respect, the situation in western India has been different.
Only in the hill-states of north-western India, such as Basohli, Guler and Kangra did non-Islamic painting continue at a courtly level. The tradition is collectively known as the Pahari, or Punjab hills, painting.
The earliest example are cited from courts such as Basohli. They are different from the early Rajput style of western India. The prominent psychological use of colors and the lack of interest in perspective is seen in both styles. Devi is frequently the subject of the Basohli paintings.
The royal patrons encouraged the production of series of paintings to illustrate texts such as the Ramayana, and the Krishna-lila, as well as individual scenes such as Shiva with his family on Mount Kailasha.